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Ada Lovelace Day: Portraits of Women in Technology

What does a brilliant female scientist look like? In honor of the 2010  Ada Lovelace Day, I went on a hunt through the Filckr Commons and other sources of archival images to see how many portraits of women who have contributed to science and technology I could find.

A few years back I read Malcolm Gladwell‘s book Blink. One of the ideas I took away was the profound impact of the images with which we surround ourselves. He discusses his experience taking an Implicit Association Test (IAT) related to racism and his opinion that surrounding oneself with images of accomplished black leaders can change ones ‘implicit racism’. Project Implicit still continues. I found a demo of the ‘Gender-Science IAT’ and took it (you can too!). “This IAT often reveals a relative link between liberal arts and females and between science and males.” My result? “Your data suggest little or no association between Male and Female with Science and Liberal Arts.” My result was received by 18% of those taking the test. 54% apparently show a strong or moderate automatic association between male and science and female and liberal arts.

My inspiration for this post is to find images of accomplished women in science and technology to help young women and girls fight this ‘automatic association’. How can you imagine yourself into a career when you don’t have role models? Lets find the most varied assortment of images of what female scientists and technologists looks like!

The Smithsonian has an entire set of Women in Science images on the Flickr Commons about which they wrote a fabulous blog post over on their Visual Archives Blog. Consider the difference between the Smithsonian Flickr set of Portraits of Scientists and Inventors and that of Women in Science shown below in my snazzy animated GIF.

For me, the first set goes a long way to associate what a scientist or inventor looks like to images of white men with varying degrees of facial hair. I don’t see myself in that set of photos, even though there are a few women mixed into the set. The Women in Science set shows me women and, even though the images are black and white and reflect the style of another era, I can imagine myself fitting in with them.

Digging into a few specific examples within the ‘Women in Science’ images, on the left below we see research scientist Eloise Gerry who worked for the US Forest Service from 1910 through 1954. The caption from this image is “Dr. Gerry in her laboratory with the microscope that helped give the great naval stores industry in the United States a new lease on life.” On the right we have Physicist Marie Curie.

Over on the website of the Smithsonian’s Dibner Library of the History of Science and Technology I found a few more images. On the left we have mathematician Tatiana Ehrenfest, from the first half of the 20th century, and on the right a physicist from the 1700s, marquise du Châtelet, Gabrielle-Émilie Le Tonnelier de Breteuil. These were not easy to find – I did in fact skim through all the names and photos listed to find the two shown here.

After thinking a bit about the shortest path to more images of women in science and technology I went onto Freebase.com. I was so pleased to discover how easy it was for me to find entries for computer scientists, then filter by those who were female and had images. This gave me the faces of Female Computer Scientists, including those shown in the screen shot below (and yes, that is Ada Lovelace herself 2nd from the left in the top row).

I was excited to find more images and next I pulled together a list of Female Scientists. Finally a bit more diversity in the faces below (and there are many more images to explore if you click through).

Finally, I put a call out on both Twitter and the DevChix mailing list asking for women to share images of themselves for use in this blog post. Within just a few hours I received photos of Lorna Mitchell (a PHP developer in the UK – photo by Sebastian Bergmann), Aimée Morrison (shown crafting a social multimedia curriculum for DHSI 2010), Kristen Sullivan and a group photo of the DC LinuxChix dinner at ShmooCon.

There are many sources of images of women who have contributed to or are members of the fields of science, technology, engineering and mathematics, but one of the best are archives. Consider the photo credits page for the website dedicated to Biographies of Women Mathematicians which credits 9 different archives for images used on the site.

Images are so powerful. The preservation of images of women like those mentioned above is happening in archives around the world. The more of these images that we can collect and present in a unified way, the more young women can see themselves in the faces of those who came before. It sounds so simple, but imagine the impact of a website that showed face after face of women in science and tech. Of course I would want a short bio too and the ability to filter the images by specialty, location and date. I think that Freebase.com could be a great place to focus efforts. Their APIs should make it easy to leverage images and all the structured data about women in tech that we could possibly dream to collect. I know that many of the posts created today will feature photos of amazing tech women, how do we organize to collect them in one place? Who wants to help?

If you know of additional archival collections including images of tech women, please let me know!

Happy Ada Lovelace Day everyone!

Encouraging Participation in the Census

1940-census-posterWhile smart folks over at NARA are thinking about the preservation strategy for digitized 2010 census forms, I got inspired to take a look at what we have preserved from past censuses. In specific, I wanted to look at posters, photos and videos that give us a glimpse into how we encouraged and documented the activity of participation in the past.

There is a dedicated Census History area on the Census website, as well as a section of the 2010 website called The Big Count Archive. While I like the wide range of 2010 Census Posters – the 1940 census poster shown here (thank you Library of Congress) is just so striking.

I also loved the videos I found, especially when I realized that they were all available on YouTube – uploaded by a user named JasonGCensus. I am not clear on the relationship between JasonGCensus and the official U.S. Census Bureau’s Channel (which seems focused on 2010 Census content), but there are some real gems posted there.

For example, in the 1970 Census PSA shown below we learn about the privacy of our census data: “Our separate identities will be lost in the process which is concerned only with what we say, not who said it”. We are shown technology details – complete with old school beeping and blooping computer sounds. (NOTE: this video is also available on Census.gov, but I saw no way to embed that video here – hence my cheer at finding the same video on YouTube)

For the 1960 census, a PSA explains the new FOSDIC technology which removed the need for punch-cards. With the tagline ‘Operation Rollcall, USA’, the ad presents our part in “this enterprise” as cooperation with the enumerators. In the 1980 PSA the tag line is ‘Answer the Census: We’re counting on you!’ and stresses that it is kept confidential and is used to provide services to communities. By the time you get to the 1990 and 2000 PSAs we see more stress on the benefits to communities that fill out the census and less stress on how the census is actually recorded.

I also found some lovely census images in the Library of Congress Prints and Photographs catalog including the image shown here and:

Exploring the area of Census.gov dedicated to the 2010 census made me wonder what was available online for the 2000 census.

Wayback Machine to the rescue! They have what appears to be a fairly deep crawl of the 2000 Census.gov site dating from March of 2000. For example – the posters section seems to include all the images and PDFs of the originals. I even found functional Quicktime videos in the Video Zone, like this one: How America Knows What America Needs.

The ten year interval makes for a nice way to get a sense of the country from the PR perspective. What did the Census Bureau think was the right way to appeal to the American public? Were we more intrigued by the latest technology or worried about our privacy? Did they need to communicate what the census is used for? Or was it okay to simply express it as an American’s duty? I appreciate the ease with which I can find and share the resources above. Great fun.

And for those of you in the United States, please consider this my personal encouragement to fill out your census forms!

Update: The WashingtonPost has an interesting article about the ‘Snapshot of America’ series of promotional videos for the 2010 census. Definitely an interesting contrast to the videos I reviewed for this post.

National Archives Transitions to Flickr Commons Membership

Ladies in Gas Masks

Even with the recent announcement that the Flickr Commons is not currently accepting new applications, there are clearly still applications being processed. NARA has been on Flickr since February of 2009 and loaded 49 sets of images. As announced in a recent press release, on the first of February 2010 Flickr flipped the switch and all the images in the The U.S. National Archives’ photostream was shifted over into the Commons.

The 49 sets are sorted into 4 collections:

  • Historical Photographs and Documents (19 sets) – including NARA favorites like Rosie the Riveter and Nixon and Elvis and documents from regional archives across the country.
  • DOCUMERICA Project by the Environmental Protection Agency (27 sets) – one set dedicated to top picks and the rest organized by photographer. Interestingly, NARA’s website has indexed the 15,000+ images from this project by subject and by location. I wonder how the picked which image from DOCUMERICA to port over to Flickr?
  • Mathew Brady Civil War Photographs (2 sets) – currently 473 out of the 6,066 digitized Mathew Brady images are uploaded into the Commons. The images posted in the Commons are available in a much higher resolution than they are within ARC. A great example from this collection is the image of the Poplar Church (image shown to right) available as a 600 x 483 GIF on ARC and as a 3000 x 2416 JPG on Flickr. This image also has gotten a nice set of comments and tags.
  • Development and Public Works (1 set) – the only set in this collection consists of images taken to support the Flathead Irrigation Project. “The Project was initiated to determine rights and distribute water originating on the Flathead Indian Agency in Montana to both tribal and non-tribal land.” These images seem to be the same resolution on both archives.gov and Flickr.

In honor of this transition, NARA posted a new set of 220 Ansel Adams photographs. One of the first comments on the set was “low-res scans? Pretty big letdown.” Fine question. As noted above, other images from NARA in the Commons much larger than the 600 x 522 that seems to be available for the Ansel Adams images. It would be great to have a clear explanation about available resolutions published along with each new set of images.

NARA has published this simple rights statement for all NARA images in the Commons:

All of the U.S. National Archives’ images that are part of The Flickr Commons are marked “no known copyright restrictions.” This means the U.S. National Archives is unaware of any copyright restrictions on the publication, distribution, or re-use of those particular photos. Their use restriction status in our online catalog is “unrestricted.” Therefore, no written permission is required to use them.

NARA has also posted an official Photo Comment and Posting Policy and a fairly extensive FAQ about the images they have post on Flickr. I do wish that there was a simpler way to request reprints of images from the Commons. Most of the NARA images have this standard sentence – but for someone not familiar with NARA and more accustom to one click ordering, the instructions seem very complex:

For information about ordering reproductions of photographs held by the Still Picture Unit, visit: www.archives.gov/research/order/still-pictures.html

I also wish that more of the images had location information assigned – only 113 of the images show up on the fun to explore map view. At first glance it looks as if this information is populated only for images taken near airports. There are many images that include a location based subject in the image description posted on Flickr, yet do not include geographic metadata that would permit the image to be shown on a map. The one image I did find that was not at an airport but did include geographic metadata is this image of the World Trade Center assigned to the NYC Financial District Flickr Location. While I could add a location related tag to NARA’s images, there does not appear any way for the general public to suggest location metadata.

One odd note about this and other World Trade Center images – the auto-generated tags have broken up the building name very oddly as shown in my screen clip on the left.

Another fun way way to explore the NARA Flickr images is to visit the ‘Archives’ page (slightly hilariously titled “U.S. National Archives’ Archives”). Here we can browse photos based on when they were uploaded to Flickr or when they were taken. Those images that include a specific date can be viewed on a calendar (such as these images from 1918) or in a list view (those same images from 1918 as a list), while those taken ‘circa’ a year can be viewed in a list with all other images from sometime that year (such as these images from circa 1824).

Beyond all the additional tags and content collected via comments on these images, I think that being able to find NARA images based on a map, calendar or tag is the real magic of the commons. The increased opportunities for access to these images cannot be overstated.

Take this image of a sunflower. If you visit this image on archives.gov, you can certainly find the image and view it – but good luck finding all the images of flowers as quickly as this Flickr tag page for NARA images of flowers can. Even looking at the special Documerica by Topic page doesn’t get me much closer to finding an image of a flower.

It will be fun to watch what else NARA chooses to upload to the Commons. I vote for more images that are assigned metadata such that they show up on the map and calendar. I will also put your mind at ease by telling you that the lovely ladies at the top of this post are their because their image is one of the most popular uploaded by NARA to date (based on it having been marked a favorite by 88 individuals). The only image I could find with more fans was the classic image of Nixon and Elvis with 250 fans at the time of this posting.

What is your favorite NARA Commons image? Please post a link in the comments and if I get enough I will set up a gallery of Spellbound Fan Favorites!

Image Credits: All images within this blog post are pulled from NARA’s images on the Flickr Commons. Please click on the images to see their specific details.

Leveraging Google Reader’s Page Change Tracking for Web Page Preservation

The Official Google Reader Blog recently announced a new feature that will let users watch any page for updates. The way this works is that you add individual URLs to your Google Reader account. Just as with regular RSS feeds, when an update is detected – a new entry is added to that subscription.

My thinking is that this could be a really useful tool for archivists charged with preserving websites that change gradually over time, especially those fairly static sites that change infrequently with little or no notice of upcoming changes. If a web page was archived and then added to a dedicated Google Reader account, the archivist could scan their list of watch pages daily or weekly. Changes could then trigger the creation of a fresh snapshot of the site.

I will admit that there have been services out there for a while that do something similar to what Google has just rolled out. I personally have used Dapper.net to take a standard web page and generate an RSS feed based on updates to the page (sound familiar?). One Dapper.net feed that I created and follow is for the news archive page for the International Red Cross and can be found here. What is funny is that now they actually have an official RSS feed for their news that includes exactly what my Dapper.net feed harvested off their news archive page – but when I built that Dapper feed there was no other way for me to watch for those news updates.

There are lots of different tools out there that aim to archive websites. Archive-It is a subscription based service run by Internet Archive that targets institutions and will archive sites on demand or on a regular schedule. Internet Archive also has an open source crawler called Heritrix for those who are comfortable dealing with the code. Other institutions are building their own software to tackle this too. Harvard University has their own Web Archive Collection Service (WAX). The LiWA (Living Web Archives) Project is based in Germany and aims to “extend the current state of the art and develop the next generation of Web content capture, preservation, analysis, and enrichment services to improve fidelity, coherence, and interpretability of web archives.” One could even use something as simple as PDFmyURL.com – an online service that turns any URL into a PDF (be sure to play with the advanced options to make sure you get a wide enough snapshot). I know there are many more possibilities – these just scratch the surface.

What I like about my idea is that it isn’t meant to replace these services but rather work in tandem with them. The Internet Archive does an amazing job crawling and archiving many web pages – but they can’t archive everything and their crawl frequency may not match up with real world updates to a website. This approach certainly wouldn’t scale well for huge websites for which you would need to watch for changes on many pages. I am picturing this technique as being useful for small organizations or individuals who just need to make sure that a county government website makeover or a community organization’s website update doesn’t get lost in the shuffle. I like the idea of finding clever ways to leverage free services and tools to support those who want to protect a particular niche of websites from being lost.

Image Credit: The RSS themed image above is by Matt Forsythe.

Concertina History Online Features Virtual Collaboration and Digitization

In the early 1960s, my father bought a Wheatstone concertina in London. He tells how he visited the factory where it was made to pick one out and recalls the ledger book in which details about the concertinas were recorded. After a recent retelling of this family classic, I was inspired to see what might be online related to concertinas. I was amazed!

First I found the Concertina Library which presents itself as a ‘Digital Reference Collection for Concertinas’. With fourteen contributing authors, the site includes in depth articles on concertina history, technology, music, research and a wide range of concertina systems.

I particularly appreciate the reasons that Robert Gaskins, site creator, lists for the creation of the site on the about page:

(1) Almost all of the historical material about concertinas has been held in research libraries where access is limited, or in private collections where access may be non-existent. The reason for this is not that the material is so valuable, but that in the past there was no way to make material of limited interest available to everyone, so it stayed safely in archives. The web has provided a way to make this material widely available—partly by the libraries themselves, and partly in collections such as this.

(2) There seems to be a growing number of people working again on the history of concertinas, perhaps in part because research materials are becoming available on the web. These people are widely scattered, so they don’t get to meet and discuss their work in person. But again the web has provided an answer, allowing people to work collaboratively and exchange information across miles and timezones, and for the resulting articles the web offers worldwide publication at almost no cost.

What an eloquent testimonial for the power of the internet to both provide access to once-inaccessible materials and support virtual collaboration within a geographically dispersed community.

Next, I found the Wheatstone Concertina Ledgers. This site features business records (in the form of ledgers) of the C. Wheatstone & Co. stretching from 1830 through 1974 (with some gaps). The originals are held at the Library of the Horniman Museum in London. It is a great reference website with a nice interface for paging through the ledgers. Armed with the serial number from my father’s concertina (36461) I found my way to page 88 of a Wheatstone Production Journal from the Dickinson Archives. If I am reading that line properly, his concertina is a 3E model and was made (or maybe sold?) April 25, 1960. I wish that there was documentation online to explain how to read the ledgers. For example, I would love to know what ‘Bulletin 3052’ means.

I liked the way that they retained the sense of turning pages in a ledger. Every page of each ledger is included, including front and back end pages and blank pages. I have total confidence that I am seeing the pages in the same order as I would in person.

You can read the overview and introduction to the project, but what intrigued me more was the very detailed narrative of how this digitization effort was accomplished. In How The Wheatstone Concertina Ledgers Were Digitized, we find Robert Gaskins of  the Concertina Library explaining how, with an older model IBM ThinkPad, a consumer grade scanner, and his existing software (Microsoft Office and Macromedia Fireworks), he created a website with 4,500 images and clean, simple navigation. From where I sit, this is a great success story – a single person’s dedication can yield fantastic results. You don’t need the latest and greatest technology to run a successful digitization project. One individual can go a long way through sheer determination and the clever leveraging of what they have on hand.

Back on the Concertina Library‘s about page we find “There is still a lot of material relevant to the study of concertinas and their history which should be digitized and placed on the web, but has not been so far. Ideas for additional contributors, items, and collections are very welcome.” If I am following the dates correctly, the Concertina Library has articles dating back to February of 2001, shortly before Mr. Gaskins started planning the ledger digitization project. At the same time as he was collaborating with other concertina enthusiasts to build the Concertina Library,  he was scanning ledgers and creating the Wheatstone Concertina Ledgers website. Three cheers to Mr. Gaskins for his obvious personal enthusiasm and dedication to virtual collaboration, digitization and well-built websites! Another three cheers for all those who joined the cause and collaborated to create great online resources to support ongoing concertina research from anywhere in the world.

All this started because my father owns a beautiful old concertina. I love it when an innocent web search leads me to find a wealth of online archival materials. Do you have a favorite online archival resource that you stumbled across while doing similar research for family or friends? Please share them in the comments below!

Image Credit: http://www.flickr.com/photos/rocketlass/ / CC BY-NC-SA 2.0

Archival Photographs as Art: A Part of Larry Sultan’s Legacy

EvidenceLarry Sultan was famed as both a photographer and archives researcher. He passed away on Sunday, December 13th, 2009 and his obituary in the New York Times describes his use of archival photographs as “harnessing found photographs for the purposes of art while using them as a way to examine the society that produced them”. The 59 photographs, selected in collaboration with Mike Mandel from a broad assortment of corporate and government archives, were originally displayed and published as a collection named ‘Evidence’ in 1977. A reprint of Evidence was published in 2004, including a new scholarly essay and additional images not in the original.

The Stephen Wirtz Gallery has a number of images from the 2004 exhibition available online and features this great summary of the original project:

Sultan and Mandel created the series Evidence with documentary photographs mined from image banks of government institutions, corporations, scientific research facilities, and police departments. An NEA grant gave the artists a persuasive edge in gaining access these resources, and images were selected for their mysterious and perplexing subject matter. The series was presented in an exhibition at the San Francisco Museum of Modern Art in 1977, and simultaneously collected in the book Evidence, which is recognized among the most important publications in the history of photography. Removed from their original contexts and repositioned without references to their sources, these images challenged the viewer to examine the conceptual concern of identifying meaning and authorship in the creation and consideration of the art photograph.

I used WorldCat to find the closest copy of Evidence and happily found a copy of the 1977 imprint at the Art Library at the University of Maryland, College Park. It had been a long time since I had looked at photographs on paper and bound in a book rather than on a computer monitor. I love the idea of re-purposing of archival image – but I was also fascinated to realize that the word ‘archive’ does not appear anywhere in the publication. Even the description above mentions ‘image banks’, not ‘archives’.

The organizations thanked at the start of the book included major corporations, U.S. federal agencies and a long list of highway, fire and police departments. Sultan and Mandel seemed to focus their research efforts in California and Washington, DC – perhaps due to a need to limit their travel. While today one would likely still need to travel to many archives to find images like those used in Evidence, there are so many images available online (at least for preview). How would someone approach a project like this now?

It is so easy to create a slide show or website featuring images from repositories from around the world. Even the images that have not been digitized have a decent chance of at least being mentioned in an online finding aid. The recently introduced Flickr Galleries make it easy to select up to 18 images from across Flickr – like my November Flickr Commons Photos of the Month Gallery. Also, much of the online culture of reuse encourages giving proper attribution for materials.

Part of Evidence’s power is the extraction of the images from their original context and their unexplained juxtaposition with one another. Finding and harvesting an image online would make it much harder to entirely strip that context away to leave the raw image behind. I can imagine a web-wide hunt for an image’s origin. While that might be fun (maybe an archives answer to the DARPA Network Challlenge?), it would not be the same as a sleek hardback book with 59 stark, unlabeled, black-and-white photos that sits on the shelf of an art library.

I find it poetic that Evidence’s photos are a perfect example of a ‘secondary value’ of archival records, even though the images were literally evidential records necessary for the carrying out of daily business. That said, I don’t believe that ‘possibly useful to future artists’ is a typical reason given for retaining and preserving archival records. We are just lucky that artists have been (and will almost certainly continue to be) innovative in their hunt for inspiration.

If you have the opportunity, I encourage you to sit quiety with a copy of Evidence. The images include landscapes, explosions, deep pits, plants, rocks, people, planes, machinery, wires and a car on fire. My laundry list of contents cannot begin to do the images justice – but I hope that they might wet your appetite.

This combination of gallery exhibition and book has inspired me to wonder about other similar projects that specifically leverage archival images for artistic purposes. Please list any that you are aware of in the comments (be they in gallery exhibitions or published volumes).

Interactive Archivist: Spellbound Blog as a Case Study

I realized while at MARAC at the end of October that I never posted here about the completion and publication of the Interactive Archivist: Case Studies in Utilizing Web 2.0 to Improve the Archival Experience. The brainchild of J. Gordon Daines III and Cory Nimer, this free SAA ePublication only exists online and brings together ten Web 2.0 archivist-oriented case studies covering blogs, mashups, tagging, wikis, Facebook and more. It also includes thorough introductions to each of the technologies covered by case studies, an annotated bibliography and a link to a living list of resources on Delicious.

My contribution to the collection is titled Spellbound Blog: Using Blogs as a Professional Development Opportunity. I don’t spend much time on this blog talking about blogging, so if you ever wanted to know more about why I blog or are considering starting a blog yourself – my case study might be of interest.

Thank you again to Gordon and Cory for including me as part of their project. I think that it is a great contribution to the cultural heritage community at large. These case studies take a wide range of new technologies and make them accessible through real examples and lessons learned. I don’t know about you, but I believe I learn at least 10x as much from someone’s first hand experience than I would from an abstracted explanation of how one might use a new technology. I hope you find the Interactive Archivist as rich a resource as I believe you will.

Blog Action Day 2009: IEDRO and Climate Change

IEDRO LogoIn honor of Blog Action Day 2009‘s theme of Climate Change, I am revisiting the subject of a post I wrote back in the summer of 2007: International Environmental Data Rescue Organization (IEDRO). This non-profit’s goal is to rescue and digitize at risk weather and climate data from around the world. In the past two years, IEDRO has been hard at work. Their website has gotten a great face-lift, but even more exciting is to see is how much progress they have made!

  • Weather balloon observations received from Lilongwe, Malawi (Africa) from 1968-1991: all the red on these charts represents data rescued by IEDRO — an increase from only 30% of the data available to over 90%.
  • Data rescue statistics from around the world

They do this work for many reasons – to improve understanding of weather patterns to prevent starvation and the spread of disease, to ensure that structures are built to properly withstand likely extremes of weather in the future and to help understand climate change. Since the theme for the day is climate change, I thought I would include a few excerpts from their detailed page on climate change:

“IEDRO’s mandate is to gather as much historic environmental data as possible and provide for its digitization so that researchers, educators and operational professionals can use those data to study climate change and global warming. We believe, as do most scientists, that the greater the amount of data available for study, the greater the accuracy of the final result.

If we do not fully understand the causes of climate change through a lack of detailed historic data evaluation, there is no opportunity for us to understand how humankind can either assist our environment to return to “normal” or at least mitigate its effects. Data is needed from every part of the globe to determine the extent of climate change on regional and local levels as well as globally. Without these data, we continue to guess at its causes in the dark and hope that adverse climate change will simply not happen.”

So, what does this data rescue look like? Take a quick tour through their process – from organizing papers, photographing each page, the transcription of all data and finally upload of this data to NOAA’s central database. These data rescue efforts span the globe and take the dedicated effort of many volunteers along the way. If you would like to volunteer to help, take a look at the IEDRO listings on VolunteerMatch.

Flickr Galleries: Fun with Flickr Commons

Over the past month I have been playing with Flickr’s new Galleries. Each gallery is limited to 18 images from anywhere in Flickr (provided that the image owner has made their image available for inclusion in galleries). I thought it might be fun to try my hand at picking the best of the new images added to the Flickr Commons each week.

Each Thursday over the past month I have created a Commons Picks of the Week gallery from the all the images added to the Commons in the prior 7 days.

Here are the galleries from the first month of my experiment. Let me know what you think.

Each week I had about 150 new images from which to select my 18 favorites. Since many institutions seem to load their images each week along some thematic lines, sometimes I felt like I had too many of one kind of image. Moving forward I may switch to bi-weekly or monthly to get a larger pool of images from which to pick.

I think there is a lot of room for making fun thematic galleries from images in the Commons. I tried my hand at this too and came up with Bathing Beauties of the Commons.  Of course the fact that all images across Flickr can co-exist in these galleries means that Commons images now have another way to be pulled into the public eye next to other ‘regular’ images.

I have a short wish list of enhancements I would love to see:

  • slideshow option for display of the gallery within Flickr
  • a way to embed a gallery on an external website as a slideshow
  • some way to follow the new galleries created by an individual (RSS feed or subscription option)

If you try your hand creating a gallery of Commons images, please post a link as a comment to this post so we can all take a look.